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Wednesday, November 13, 2019

Lyndhurst visit continued

Here are some more pictures of the Adventurous Artists work.







Tuesday, November 12, 2019

ONE DAY SALE contd

Another picture

ONE DAY SALE

The one day sale went well even though there was a reduction in the usual number of visitors due to the bad weather. It was good for everyone to get together for an art event.

Adventurous Artists at Lyndhurst

SKETCHING MARINE PAINTINGS OF THE NEW FOREST


Report from Di

The Adventurous Artists had a very enjoyable morning sketching at the exhibition of marine paintings at the New Forest Heritage Centre, Lyndhurst in November.  The manager and the five exhibiting artists - Barry Peckham, Peter Frost, Richard Tratt, Colin Richens and Barry Miles - kindly permitted the group to sketch some of the work on display.  Rounding off the visit there were delicious hot drinks in the cafe. The exhibition continues until 5th January.


Friday, November 1, 2019

NOVEMBER MEETINGS

NOVEMBER 9TH ONE-DAY SALE
This will be at the Three-Score Club 10am to 4pm.
 Hand your work in 9-9.30am with the hanging fees and completed form.( Form from Mary or the Web-site)

NOVEMBER 8th AVENTUROUS ARTISTS
 Meet at New Forest Centre at 10 -15. Can park near Bolton's Bench free or use the paid car park next to the Centre.

NOVEMBER 19th  ART EXTRA
12-30 to 3-30pm in the Lilac Room. Do your own thing and have a chat with fellow members.

NOVEMBER  27th DEMONSTRATION EVENING.
Lucie Cookson will demonstrate a Rembrandt style portrait in oils

ALSO  Bring your Christmas card entry - possibly based on a Christmas candle with decorations but can also be your own design. Winner gets a bottle of sparkling wine.

IMPRESSIONIST LANDSCAPE


ELIZABETH BALDIN paints an IMPRESSIONIST LANDSCAPE

Elizabeth used to work in book design but now mostly paints -  particularly in an impressionistic style. She works in most media but not usually pastel.
For a base she uses canvas board, her brushes are usually flats and on this occasion she was using  Golden acrylics. As acrylics darken when dry Elizabeth usually puts the final highlights in using oils. Mixing is done on a baking parchment based stay-wet palette.
Her paintings are usually based on her photographs and she first does a black and white sketch before working out her colour scheme. It is the sketch that is referred to during the painting. The "Rule of Thirds" is a useful guide in establishing the composition.
The painting was started by putting in the darkest dark using Payne's Grey. The sky was then blocked in using a dabbing technique with a flat brush. Impressionist style paintings have no areas of flat colour - instead colour is made up of a mixture of colours eg. grass can be different tones of different greens plus bits of complimentary colours. In this case the sky is made up of one main colour - Cobalt Blue - to which white is added to give different tonal values and  a black which, with the white, gives grey. A mauve is the third colour and this, with blue and white, produces a light mauve.
The background colour was therefore the blue mix and clouds the mauve mix with their base of grey. Light blue was placed just above the horizon. The whole area was then blended slightly. This technique was used throughout the painting.
Distant hills were painted in a grey-green using a smaller brush to get smaller strokes.
Shadows are rendered in purple and green - usually a blue or yellow green.
For this painting the mid-ground and path is rendered in tones of yellow with red and blue flowers in the foreground.
The final stages involve checking that the tones are correct throughout the painting and that the technique is uniform. Then the final highlights are added.
 
Elizabeth is a very talented painter and excellent teacher and gave us an unforgettable evening. Below is the beautiful final painting.


 

Tuesday, October 22, 2019

Future events

 

WEDNESDAY 23RD OCTOBER

7.30 p.m. at the Three Score Club, Salisbury Road, Totton,

ELIZABETH BALDIN demonstrates an Impressionist Landscape in Acrylics


ELIZABETH is a versatile artist who paints a variety of subjects, including pet portraits in oils. She holds workshops in watercolour and Ink, acrylics and coloured pencils.


 

WEDNESDAY 27TH NOVEMBER T.A.S. CHRISTMAS CARD COMPETITION

A reminder that we are holding an individual Christmas card competition at our November meeting.  One suggestion is to paint a still-life of a Christmas candle with decorations, but any subject is acceptable. Paint onto a piece of folded card.

One entry per member please.

You could win a bottle of sparkling wine

Nomansland with Adventurous Artists

SKETCHING AT NOMANDLAND

Jean and June arrived first and sketched the chapel while parked by the green. The weather remained very windy and damp everyone went into the Lamb Inn, where David, Peter, Helen and Di did their sketching.  Unfortunately the cattle and pigs made their appearance too late to be included in the artwork on this occasion. Nevertheless the group were pleased with the morning’s work.





 

Wednesday, October 2, 2019

FINISHED PAINTING

Fiona has sent us a photograph of her finished painting, Beautiful!


photograph of her finished painting, Beautiful!

Friday, September 27, 2019

Adventurous Artists

Meet at Nomansland on Friday 11th October at 10-15 am on the cricket green. If raining meet in The Lamb which opens at 11am.

Fiona's Paintings

These are pictures of Fiona's paintings - one of the finished picture to follow.





Demonstration evening




At the beginning of the evening Mary was presented with her certificate for the Reg Whiting Trophy (won jointly with Di)  and Fred was presented with his cup and certificate for his Silver Award for the Best Picture by public vote (Lesley won the Gold). More details on the website.



The evening continued with:-

FIONA FORBES DEMONSTRATING PAINTING FLOWERS WITH KNIVES 

Fiona painted with watercolours until 25 years ago when she was told to try knives. They have the advantage that they are easy to clean!

She uses mainly a medium sized knife with a small one for detail. Tonight's painting was done on MDF board primed with two coats of white gesso and a coat of acrylic and then the under painting added with water-based oil. A disposable palette is used for the paints which are mixed with a palette knife. Impasto medium is added for texture and to quicken the drying time.

Tonight's background colour was blue made of magenta and mauve with green from various yellows and blues.

Fiona began with the paler flowers using cadmium red, Naples yellow and white  as the basic colour. Using a small knife she started with the background petals. The knife is well loaded to help produce an impasto effect and a small amount of dark colour put on the knife tip for adding detail. Foreground flowers painted later had more texture helped by using some impasto paste.  Fiona suggested that it is best to be open-minded about the colour and be ready to change the colours when working through the painting.

Shadow colour used especially for red roses is mauve and blue blended with white. Dioxine purple, alizarin and cadmium red make good dark colours for the centre of flowers. 

Leaf colours are obtained by mixing either turquoise and orange or a combination of lemon yellow, cadmium yellow, yellow ochre, or raw sienna mixed with any blue. She also uses olive green with white to produce a dark green which is very effective against a light coloured flower. Touches of light green or even white are used to give highlights. 

Fiona paints quickly to get an impressionist effect working over the whole area of the painting. She is very careful putting more paint over wet paint as the lower layer can be dislodged. Make sure the knife is clean! She likes to pause for a few days to re-assess the picture then adding more detail and shadows.

We look forward to seeing the completed painting and thank Fiona for an excellent and inspiring evening.

FIONA FORBES DEMONSTRATES PAINTING FLOWERS WITH KNIVES

 

Fiona painted with watercolours until 25 years ago when she was told to try knives. They have the advantage that they are easy to clean!

She uses mainly a medium sized knife with a small one for detail. Tonight's painting was done on MDF board primed with two coats of white gesso and a coat of acrylic and then the under painting added with water-based oil. A disposable palette is used for the paints which are mixed with a palette knife. Impasto medium is added for texture and to quicken the drying time.

Tonight's background colour was blue made of magenta and mauve with green from various yellows and blues.

Fiona began with the paler flowers using cadmium red, Naples yellow and white  as the basic colour. Using a small knife she started with the background petals. The knife is well loaded to help produce an impasto effect and a small amount of dark colour put on the knife tip for adding detail. Foreground flowers painted later had more texture helped by using some impasto paste.  Fiona suggested that it is best to be open-minded about the colour and be ready to change the colours when working through the painting.

Shadow colour used especially for red roses is mauve and blue blended with white. Dioxine purple, alizarin and cadmium red make good dark colours for the centre of flowers. 

Leaf colours are obtained by mixing either turquoise and orange or a combination of lemon yellow, cadmium yellow, yellow ochre, or raw sienna mixed with any blue. She also uses olive green with white to produce a dark green which is very effective against a light coloured flower. Touches of light green or even white are used to give highlights. 

Fiona paints quickly to get an impressionist effect working over the whole area of the painting. She is very careful putting more paint over wet paint as the lower layer can be dislodged. Make sure the knife is clean! She likes to pause for a few days to re-assess the picture then adding more detail and shadows.

We look forward to seeing the completed painting and thank Fiona for an excellent and inspiring evening.

Friday, September 13, 2019

Mortimer Arms

ADVENTUROUS ARTISTS at the MORTIMER ARMS

Spent a lovely morning in the garden sitting in the sun, sketching, drinking coffee, chatting...........

 Here are a few sketches :-



Monday, September 9, 2019

SEPTEMBER EVENTS

FRIDAY 13TH SEPTEMBER  ADVENTUROUS ARTISTS
10.15  at the Mortimer Arms, Romsey Rd, Ower, SO51 6AF. Take the turning to Paulton’s Park and it is on the right- hand side   
                                                                                                      


TUESDAY 17th AUGUST ART EXTRA AFTERNOON



in the Lilac room Civic Centre 1-30 to 3-30pm 


WEDNESDAY SEPTEMBER 25TH DEMONSTRATION EVENING
Fiona Forbes will show us how she paints a vase of flowers with knives


Members Evening

MEMBERS EVENING WITH DI AND HELEN

Di and Helen had obviously worked hard to produce an evening on which we examined perspective.
Helen started by showing us ways to deal with perspective involving distance and looking at a spherical or flat circular object from different angles and examining how it can be viewed as an ellipse. Di then continued with a demonstration of how perspective depends on viewpoints and vanishing points and how it changes. We then tried out the theories on different subjects from pictures supplied by Di and Helen. It was a very interesting evening and certainly made us think carefully about how we represent structures particularly in landscapes and still life paintings.

We also had the pleasure of applauding Lesley for winning the 50th Anniversary Trophy for the Best painting in the exhibition - "Hoppy" and Fred for being voted the Best Runner Up with his painting of  "The Shrinking Waterhole" Excellent pictures from both of them!

Friday, August 23, 2019

EXHIBITION

THE ANNUAL EXHIBITION has so far been a great success. We have had a good number of visitors each day and many paintings and cards have been sold. There have been many complimentary comments about the paintings and we've had a few people who are going to join us as new members.
The Exhibition was opened on Friday evening by Ray Barnes. As usual the room was crowded and we all enjoyed the occasion.
We would like to thank the Hanging Committee for putting the Exhibition together and Ann, Mary and Claire and husbands Mike and Bob for all the "extra bits" that are so important.
Everyone who attended the Preview Evening was asked to vote for their favourite best picture for the Reg Whiting Award. Reg was one of the founder members of the Society. This year we had joint winners of Di Alexander and Mary Maskell - congratulations to them both!





Wednesday, August 14, 2019

DATES COMING UP

FRIDAY 16TH AUGUST
Work to be handed in by 10am.
7-30pm PRIVATE VIEW and Exhibition opened.

TUESDAY 20TH AUGUST
ART EXTRA
 Meet in the Lilac Room Civic Centre at 1-30  to 3-30 for a creative and entertaining afternoon.

WEDNESDAY 21ST AUGUST at 7-30PM in the THREESCORE CLUB
MEMBERS EVENING
Come and take part in a different and exciting evening

SATURDAY 24TH AUGUST
Exhibition ends at 5pm - collect work.

Adventurous Artists at Eling

DI'S REPORT:-

SKETCHING AT ELING QUAY
Jean, Sue, Ray and Di spent a peaceful hour sketching at Eling Quay on a sunny morning. Fortunately the rain held off until lunchtime. The Eling Experience cafe is now very smart and an enjoyable hour was spent discussing their own art, T.A.S. and the art scene generally. The sketching morning provides an opportunity not only to practice drawing but also to share experiences with fellow artists.
Di Alexander





Monday, July 29, 2019

July Demonstration



DON’T BE FRIGHTENED OF THE DARKS SAYS JULIE LONGDON

Animal artist Julie Longdon gave us a beautiful portrait of a cocker spaniel at our July meeting. She was this year’s winner of the Best in Show Award at the Association of Animal Artists exhibition.
Julie packed a lot of detail into her painting - all the more impressive because she was using pastels on velour paper. She managed to create fine lines with the edges of the round Unison pastels (the softest and most heavily pigmented type of pastel). Although they are easier to achieve with square Conté sticks and sharpened pastel pencils. (Beware! Pastels blunt pencil sharpeners, use a knife instead.) Velour paper does dull the colours slightly. Alternatively Julie uses Pastelmat, which holds the pastel so that it does not fall off and is easier for fine lines such as whiskers.
“Don’t be frightened of darks” said Julie. “It’s what makes the painting come alive”. Having already drawn the dog with shapes for the different tonal values she likes to use short strokes on the darkest areas first - but not with black. One of her favourite dark colours is the Faber-Castell Pitt 175 Dark Sepia pastel pencil. She saves black until a later stage. The very best colours for animal paintings is the Unison Emma Colebert collection (36 round soft pastels): https://www.unisoncolour.com/product/emma-colbert-animal-36-set/ She used browns, dark reds and pinks to create “splashes of colour” and a cool orange and a warm orange for the eyes. Dogs’ noses are complex and she spends a lot of time on them. She also advised us to vary the direction of some of the hairs.
One of Julie’s tips was to make your own colour/value finder card by punching a hole in white card. Holding the hole over part of a painting and placing a pastel stick or paintbrush next to it makes it possible to compare the two more accurately. Attention to detail is important when painting commissions and a single portrait may take many hours.
Everyone was impressed with Julie’s work. See more of it at the prestigious Southern Nature Art Exhibition at Rookesbury Park, Southwick Road, Wickham, PO17 6HT from 23rd until 26th August 2019.

Di Alexander
 

Saturday, July 6, 2019

ANNUAL EXHIBITION

2019 EXHIBITION

ENTRY FORMS are now available from Mary and should be returned to her by 1st. August. The forms are slightly different this year so read them carefully!
The  Handing-In morning is Friday, August 17th at 9am and the Exhibition closes on the 24th August. Please fill in your Sitting-in time as soon as you can.

FUTURE EVENTS

ADVENTUROUS ARTISTS SKETCHERS GROUP
Next venue is Marchwood waterfront on Friday,July 12th at 10-15 am.

The next ART EXTRA is on  Tuesday, July 16th, l-30 to 3-30pm in the Lilac Room. Names to Claire in case we are full up!

DEMONSTRATION EVENING   24th JULY 7-30pm Three-score Club

COLIN'S FINISHED PAINTING

 
Colin wrote to Di and sent a photo of his completed Street Scene:-
 
"I enjoyed doing the demo and meeting you and the group. I have attached the finished painting for the group to see. It took another 4 hours to do as I like to keep them nice and fresh with the brushwork.
Thank you, Colin."

PAINTING A STREET SCENE IN ACRYLICS


STREET SCENE IN ACRYLICS by COLIN BROWN 

Colin has worked as a freelance artist for 30 years after an early career as an illustrator. Now he paints street scenes in acrylics using only one technique.
His paintings usually take 3 days so the evening demonstration would only be the start.
Using a square canvas board and Golden Open acrylics Colin paints with Da Vinci flat impasto brushes.
He starts with a fairly accurate drawing and then does an under-painting. Then the painting is turned upside-down. This enables Colin to judge tonal range and colours more accurately. It also makes you look harder and stops exact copying or representation. Colin aims for a semi-abstract style putting his own interpretation on the subject.
The background is done using contrasting colours. Later some of the background is painted out leaving enough to prevent the painting becoming dull. The effect that Colin wishes to get is like a silk screen print and this is done more easily with a dry brush. Colours are used straight from the tube unmixed and the brush isn't cleaned between colours.
The next stage was to turn the painting up the correct way and put in more detail.To get some linear effects Colin uses a ruler and paints lines in grey or black often in ink. Background objects are painted with a dry brush and buildings are painted a darker tone when they are against the sky. Final touches include putting in highlights not necessarily in white but in a light colour.
Colin was unable to finish his painting but he managed to give us many ideas and tips to make us think hard over our next painting whatever the subject.
Colin and half finished painting



Previous painting

Sunday, June 23, 2019

DEMONSTRATION 26TH JUNE

Our demonstration on June 26th will be by Colin Brown who will paint a townscape in acrylics. It will be held in the Three Score Club at 7-30pm. See website for more details.

Abbey Visit


A warm welcome was received on a blustery, cool and showery June morning for 7 adventurous sketchers in Romsey Abbey.  Thank you to the Abbey.  The building is beautiful and it was difficult to choose what to sketch.  We were lucky when we took refreshment in the park cafe as the sun came out.  A lovely arty morning.
Report and photos by Helen