The blog contains society news and activities. You are welcome to comment on the pages. Find out more at: tottonartsociety.org and Facebook: www.facebook.com/groups/134056857189218/
Monday, October 3, 2016
OCTOBER 1ST WORKSHOPS
Everyone who attended the workshops had a very successful day. Claire, who went to Pat's workshop reports " I didn't expect to go home with such great results. If Pat does a workshop in the future it is well worth members taking part. Ruth had great results with her group too. A really great day. Thank you Pat and Ruth!"
Sunday, October 2, 2016
LANDSCAPES WITH JONATHAN NEWY
Jonathan comes
from a family of artists and starting at the age of two (!) taught himself to
draw and paint in different media. Recently he won third prize in a competition
in the International Art magazine and runs courses and workshops in painting in
acrylics, pen and wash and coloured pencil.
Firstly he showed us an abstract landscape
produced by pouring liquid acrylic on canvas followed by oil based household
paint while the acrylic is still wet. Where they meet the paints form a sharp
edge. These paintings were inspired by photographs from the Hubble Telescope
and are usually worked on the floor taking a month to dry.
The ideas are worked out first in a sketch book using felt
tip pen then in a larger book using oil pastels blended with a solvent. The
success rate for this type of painting is about 50%!
Then Jonathan
started on his demonstration painting of Scotney
Castle in Kent .
He uses Atelier Interactive acrylic paints on a stay-wet
palette when they remain workable for about a week. The paints are sold by the
SAA and are slightly cheaper than ordinary paints. The drying time is a couple
of hours and they can be re-activated using a mist spray on an ordinary
palette. There are various additives available for them but they cannot be used
with normal acrylics or additives. They can be blended or used impasto and
colour is excellent.
To start the painting
yellow ochre was put on as a background colour then the main picture elements drawn
in using burnt umber. The sky was painted using a mix of cobalt blue and titanium
white with the addition of burnt umber to form a grey for
the base of the clouds. To do this Jonathan used his favourite - a
filbert brush.
Next came the background trees using cobalt, yellow ochre
and titanium white put on with the side of the filbert brush. Further details
were added with a mixture of Payne's grey, cadmium yellow and white. The
foreground was painted next and yellow and white put over the top for light
areas. A flicks of the brush rendered the spiky bushes. This system was used to
paint all the tree and grass areas and the dam.
Details such as a gateway and wall were added using a smaller brush.
The pond was tackled next with a mixture of ultramarine and
burnt umber for the water and Payne's grey for the reflections. This showed how
the paint is easily blended ( especially if the blending medium is added) and
if interrupted painting can be resumed using an unlocking spray.
Moving on to the buildings the roofs were painted with a
combination of yellow ochre, burnt sienna and white and using grey for the
walls and chimneys. Highlights and windows were put in with a small brush.
Jonathan uses old brushes which have lost their points for various effects
including fine animal hairs.
Using the tip of a filbert Jonathan carefully painted the
waterlily pads in light green using a fan brush very lightly to move the paint
across and soften them. The large foreground tree had light and dark areas
added and using blue he made few holes for the birds.
Finally to enthusiastic applause the finished painting was
presented in a gold frame.
This was a brilliant evening. Jonathan explained his methods
clearly and concisely as well as imparting his favourite hints and tips so
thank you, Jonathan, very much!
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| In the gold frame |
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| The finished painting |
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| Abstract |
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| Potential Abstracts |
Wednesday, September 28, 2016
ADVENTUROURS ARTISTS MEXT MEETING
ADVENTUROUS ARTISTS SKETCHING GROUP
DATE: Friday 14th October
DATE: Friday 14th October
LOCATION & TIME
: 27 Bell
Street Romsey SO51 8GY
10.30 We move outside at 10.30 to sketch in the
vicinity - there is some shelter from the weather in the Dukes Mill
area. You will need to bring a seat so that you can get
the best position to sketch.
11.30 Refreshments and a chat in the
Rums Eg café (which
is on the first floor)
PARKING:
Free parking for 4 hours at The Rapids car park - a 10 minute walk away.
There are charges for the nearby car parks, such
as Newton Lane (off Middlebridge Street) and the Crossfield Hall opposite
the Aldi car park.
So many came last time and it was a great morning!
I hope to see more this time - it’s well worth a visit to the fabulous
Rums Eg art gallery as well as a relaxed session sketching.
For more details contact: Di Alexander Programme Co-ordinator
Tel.07979905192.
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Saturday, September 24, 2016
Our next meeting is on Wednesday 28th when Jonathan Newey will demonstrate "Expressionist Landscapes"
Entry forms for the Close-Up Competition should be given to Di at this meeting or sent to reach her by this date .See previous blog for all the details and the entry form.
October 1st is our Workshop Day with Ruth (watercolour) and Pat (card-making) - details on the web-site.
Anyone interested in Botanical Painting should visit the current exhibition at Hilliers. Christina Hart-Davies is exhibiting the paintings she has done for her latest book "A Wild Plant Year" ( which is on sale during the exhibition) Christina is one of the foremost botanical painters in the country and her paintings are outstandingly beautiful.
Entry forms for the Close-Up Competition should be given to Di at this meeting or sent to reach her by this date .See previous blog for all the details and the entry form.
October 1st is our Workshop Day with Ruth (watercolour) and Pat (card-making) - details on the web-site.
Anyone interested in Botanical Painting should visit the current exhibition at Hilliers. Christina Hart-Davies is exhibiting the paintings she has done for her latest book "A Wild Plant Year" ( which is on sale during the exhibition) Christina is one of the foremost botanical painters in the country and her paintings are outstandingly beautiful.
Sunday, September 11, 2016
LAVENDER FARM SKETCHING VISIT
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| By the Tea Room |
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| Di sketching the lavender. |
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| The Lavender |
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| Comparing notes |
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| Pam sketching the barrow |
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| The Barrow |
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| Lavender scones |
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| Sketching the flowers |
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| Muriel s sketch |
Thursday, September 1, 2016
ADVENTUROUS ARTISTS AT THE LAVENDAR FARM and the CLOSE-UP COMPETITION
The next outing to the Lavendar farm is on Friday 9th. September. Details of this and the CLOSE-UP COMPETITION are below.
DIGITAL ART
DIGITAL ART
This was the subject at the last demonstration evening.
Caroline Rackham is a Totton Town Councillor and a Community Arts Officer
working in the south-west Hampshire and east Dorset
area. Her latest project was the New Forest Arts festival in June. Currently
she is working on the Totton Lantern Procession.
Previously she worked at the Media Workshop in Southampton and it was at this time that Digital Art
started as a major art form and became an important way of working in the
Community Art field. Caroline showed us the different genres of Digital Art and
the work of different artists before showing us how she had used it in
community projects. In the second half she showed her own method of working on
a subject.
Firstly she dealt with using
an ipad or computer.
Artists who work in this way are Liz Hall and David Hockney.
The image can be drawn and "painted " with a stylus using an app
(many free) on an ipad or program such as Paint which comes as part of the
Windows operating system used in most computers. It can be accessed via
"All Programs" and then "Windows Accessories" showing as a
small square displaying a palette. Another program which can be used is
Photoshop or its far cheaper version Elements which is just as versatile.
By painting a vase of flowers on a table using Paint, Caroline
was able to show us how to use the airbrush tool (the longer the line is held
the thicker it becomes) and the paint pot to obtain and change colour as well
as the common tools. Very complicated pictures can be produced in this way.
She then went on to show us examples of Photographic manipulation. This type of work is popular with the
Neo-Surrealist group of artists.
Photographs can be montaged, twisted, inverted, reversed etc. The best
effects are produced using similar colours and tones.
Caroline then spoke of the
place of Digital Art in Community Art as exemplified by projects she has
done with various groups. A favourite with children is a diary project where
each takes pictures over a weekend and they are then combined to produce one
art work. Other projects included
responding to music or robots in a pond controlled by text messages! In all
cases an image is produced digitally which can be combined with others or over
written with prose.
The scanner is a very
useful tool particularly so in making murals. These can be seen in such places as Romsey railway station, the
entrance to the flats at Weston and in many schools and community buildings.
Groups often work to a theme e.g. sari fabric, oral history and memories of a
place and what it will be like in the future. Old photographs or paintings are
often combined with new ones e.g. of a street or area. In the case of Romsey,
children from all the schools were asked to imagine being on a train journey.
Drawings, paintings and objects such as carpet tiles were all scanned,
manipulated and turned into a mural of separate tiles which were then produced
and put onto the station wall.
After the tea-break Caroline first showed us some of her own
work which included a Welsh landscape, a dahlia and a passionflower. She then
showed us how to produce a beautiful image based on a Crocosmia photograph.
Firstly the background was removed and converted to plain white. The flower
colour changed to blue and the flower copied and re-sized and added to the
original. The whole was then refined using various tools and brushes until
finally a shadow was formed by manipulating the brightness. The shadow was
blurred using Gaussian Blur.
Digital art is without doubt a very creative art form
allowing us to use the full extent of our imagination. It can be used to
produce a unique work of art or as a basis for further work This was a
fascinating evening and we much appreciate the time and effort Caroline put
into it. One member suggested it should have been titled "Caroline's Magic
Show"
After thanking everyone Caroline then announced that she was
giving her fee for the evening to the Totton Lantern Procession funds and
suggested that we as a group could have a lantern making session and even take
part in it with our lanterns! Hopefully we will be able to do this and support
the Procession.
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| Dahlia |
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| Crocosmia |
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| Vase of Flowers |
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| Caroline at the computer |
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