![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-XKndTzFIkzLvwJve4thftE3oXY7IAAL5iMKwrKNdkLAt_yBvR-w8xuGoUBqWt_Ur66Kxi1bg60wH0t5A34X7mEqFSNP3D8oIwCyC57xHdHIBXwhRUR1sGkFEf7uG2vrrhcu6BZhTQQ/s320/culverdogsm.jpg)
The blog contains society news and activities. You are welcome to comment on the pages. Find out more at: tottonartsociety.org and Facebook: www.facebook.com/groups/134056857189218/
Thursday, May 28, 2009
May Russ Culver
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-XKndTzFIkzLvwJve4thftE3oXY7IAAL5iMKwrKNdkLAt_yBvR-w8xuGoUBqWt_Ur66Kxi1bg60wH0t5A34X7mEqFSNP3D8oIwCyC57xHdHIBXwhRUR1sGkFEf7uG2vrrhcu6BZhTQQ/s320/culverdogsm.jpg)
April David White Workshop
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1iINiCFyn3M14-BP56XGveG40B_Now6E1i_T2SxckFwhDNV6vAc-lGlFJxIRvqrDarwWflb0UqbV5fbLaboER9499Smc5N-dhC9wjhfN0Remh6Htj0vjGfwRu6OPSWAAIrUFZE0iOEbc/s320/Totton+Portraitssm.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOIxNS1xNwf1a0oNCKKTWts3QLhLBNKTPHys_w5SrPFXQ4EahyXpDjDHMgTOFoZGHtf8sinHI3wHwYPW1Cp02f4DTWT3Y3WuWZZflAoVJn4ulBywsiOUalJX3DNYvwFZKptyhLNV9EXLE/s200/davewhitesm.jpg)
David White had exhibited his artwork at Crufts this year and was subsequently had a full order book of commissions. His Acrylics Workshop was a very special event, not only because he is in demand, but because he gave a superb course for beginner and experienced artist alike. To name just a few activities: we tested our colours for transparency, mixed colours, applied transparent glazes, painted a monochrome portrait and planned a portrait in more detail. It was a superb day and it started me painting in acrylics, enjoying the versatility of the medium.
April Stephen Foster
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBSa_7tmekCvhIQBx_l_djjX2UczU-z5SZgwP_I5gQNODQUXcEUHjcjEkiZkc_TMELqNgwk6bqPGwsHbsBDQwu9SytAHCC-lXGWvZinIeoqfZEfTShoZ5YWiuWFYVwNfiWe-hi40eVSes/s200/stephenfoster.jpg)
Stephen Foster has his own individual watercolour technique. At the April demonstration he painted on Arches 114lb Not paper which was wet on both sides and floating on a film of water.
He usually prefers to avoid too much detail in order to produce an atmospheric landscape and particularly admires Turner.
Subscribe to:
Posts (Atom)